字画收藏是我们讨论的比较少的领域，可实际上字画收藏在我国的古玩收藏市场的大舞台上，自古以来都是主角的地位，不少藏家都拜倒在这些名人字画的石榴裙下。那么今天我们也来看一看字画收藏，讨论一下字画收藏需要注意的投资的心态与方法有哪些。

　　Calligraphy and painting collection is a relatively less discussed field, but in fact, calligraphy and painting collection has always been the protagonist on the big stage of China's antique collection market since ancient times, and many collectors have fallen under the spell of these celebrity calligraphy and painting collections. So today we will also take a look at calligraphy and painting collections, and discuss the investment mentality and methods that need to be paid attention to in calligraphy and painting collections.

　　，我们来讨论字画收藏需要注意的投资心态。

　　Firstly, let's discuss the investment mentality that needs to be paid attention to when collecting calligraphy and painting.

　　，收藏字画不可盲目跟风。这个现象在古代字画收藏圈子里所见较少，不过放在现代，有不少艺术家都是空有名头，而作品实力却是经不起推敲。即便如此，也有不少的藏家冲着他们的名头，去花高价入手一幅幅的“艺术垃圾”，花了钱却买不到真正的好东西。比如赵忠祥先生的字画，他在世时，他的字画极高，不少人趋之若鹜。但他逝世之后，由于其作品缺少真正的艺术底蕴，因而几十倍的往下跌，这实在是令人唏嘘。

　　Firstly, collecting calligraphy and paintings should not blindly follow the trend. This phenomenon is relatively rare in the ancient circle of calligraphy and painting collections, but in modern times, many artists have empty reputations, but their works cannot withstand scrutiny. Even so, there are still many collectors who, in pursuit of their reputation, spend high prices to buy "art garbage" one by one, but cannot buy truly good things after spending money. For example, Mr. Zhao Zhongxiang's calligraphy and paintings were extremely expensive during his lifetime, and many people flocked to them. But after his death, due to the lack of true artistic heritage in his works, the price dropped dozens of times, which is truly regrettable.

　　第二，收藏字画不可盲目贪多。这一点也适用于字画收藏。有些品质不高的字画，即便收藏个几十件，它们也不会有多少升值的空间。而真正好品质的字画，它们却能给藏家带来数倍的经济效益。因此我们说，收藏字画在精不在多。要保证我们手头的每一件字画，都是足够精品的，而那些“艺术垃圾”，就尽量不要入我们手中。

　　Secondly, collecting calligraphy and paintings should not be blindly greedy. This also applies to calligraphy and painting collections. Some low-quality calligraphy and paintings, even if collected in dozens, do not have much room for appreciation. However, truly high-quality calligraphy and painting can bring several times the economic benefits to collectors. Therefore, we say that collecting calligraphy and paintings is more about refinement than quantity. To ensure that every piece of calligraphy and painting we have at hand is of sufficient quality, and those 'artistic garbage' should be avoided as much as possible from entering our hands.

　　第三，收藏字画不要追求面面俱到。我国的字画收藏类别是极为丰富的，像是作画的时期、题材、风格、画派，这些都分类细分下来就有很多很多了，对于不少藏家而言，可能一辈子都学不完。而但凡接触到自己没有提前学习过的领域，那么收藏的风险就会直线上升。因此，小编建议大家收藏字画切不可面面俱到。要选择一个类别行学习和收藏，等顺手了再拓展新的领域，以降低收藏的风险。

　　Thirdly, when collecting calligraphy and paintings, do not pursue comprehensiveness. The categories of calligraphy and painting collections in our country are extremely rich, such as the period of painting, subject matter, style, and painting school. When these are classified and subdivided, there are many, many. For many collectors, they may not be able to learn them all in their lifetime. And whenever you come into contact with a field that you haven't learned in advance, the risk of collecting will skyrocket. Therefore, the editor suggests that everyone should not collect all kinds of calligraphy and painting. To choose a category, first learn and collect it, and then expand into new fields when it is convenient, in order to reduce the risk of collecting.

　　然后，我们来讨论字画收藏需要注意的投资方法。

　　Then, let's discuss the investment methods that need to be paid attention to when collecting calligraphy and painting.

　　，收藏字画不可透支自身财力，要量力而行。书画作品价值不菲，少的几千几万，多的几千万甚上亿，相信对于不少的藏家，每入手一件新藏品，花出去的都不是小数目。因此，对于我们普通藏家来说，一定要衡量好自己手头的余钱有多少，在这余钱里又有多少是适合拿来做投资的。切不可通过贷款，或是跟亲戚朋友借钱的方式来透支财力购买字画，这样会给自己和家庭都带来不小的风险。

　　Firstly, collecting calligraphy and paintings should not overdraw one's own financial resources and should be done within one's means. The value of calligraphy and painting works is not cheap, ranging from tens of thousands to billions. I believe that for many collectors, every time they buy a new collection, they spend a considerable amount. Therefore, for us ordinary collectors, we must weigh how much surplus money we have and how much of it is suitable for investment. Never overdraw your financial resources to purchase calligraphy and painting through loans or borrowing money from relatives and friends, as this will bring considerable risks to yourself and your family.

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