人字画到底要不要裱，很多人都会有这方面的疑问。有人说字画装裱的会掉价、字画装裱了就不值钱了等等之类的言辞频出，真的是这样吗？

Many people have doubts about whether to mount human calligraphy and paintings. Some people say that the price of calligraphy and painting mounting will decrease, and that calligraphy and painting mounting will not be worth money. Is this really the case?

　　俗话说：“纸寿千年，绢保八百。”但这个是有前提的，在保存妥善的情况下才能达到的效果。为了能让名人字画保存的时间更久，更能耐得住岁月的摧残，所以才出现了装裱工艺。

As the saying goes, "Paper lives a thousand years, silk preserves eight hundred." However, this is a prerequisite that can only be achieved when properly preserved. In order to preserve the calligraphy and paintings of celebrities for a longer period of time and withstand the ravages of time, mounting techniques have emerged.

　　名人字画装裱简单地说就是将名人书写、画好的字画作品配以宣纸、绫、绢、宋锦等装裱材料再用天然面粉制成的糨水粘料黏在一起，以实现良好的展示、保护和收藏的目的。的字画裱件具有形美、挺拔、柔软和保存寿命长等特点。

Simply put, celebrity calligraphy and painting mounting refers to the process of combining celebrity written and painted calligraphy and painting works with mounting materials such as rice paper, silk, silk, and Song brocade, and then sticking them together with natural flour paste to achieve the purpose of good display, protection, and collection. Excellent calligraphy and painting frames have the characteristics of beautiful shape, upright, soft, and long storage life.

　　在这里，需要给各位看官科普一下，随着现代科技的发展，字画装裱技术分为两种：一种是手工装裱即人工装裱，另外一种是机器装裱，简称机裱。

Here, I would like to give you some scientific knowledge. With the development of modern technology, there are two types of calligraphy and painting mounting techniques: manual mounting, also known as manual mounting, and machine mounting, abbreviated as machine mounting.

　　其实装裱艺术早在晋代就已经出现了，历经南北朝、隋、唐、宋、明、清直现代，代代高手辈出，并逐渐分成不同门派和风格。现代仍有杨帮、苏帮和本帮等流派。

In fact, the art of mounting had already appeared in the Jin Dynasty, spanning from the Southern and Northern Dynasties, Sui, Tang, Song, Ming, Qing to modern times, with generations of masters emerging and gradually divided into different schools and styles. In modern times, there are still schools such as Yang Gang, Su Gang, and Ben Gang.

　　传统的装裱工艺就是人工装裱的，装裱技艺的好坏，决定一幅名家书画作品的观赏性以及能否长期保存的问题。给字画装裱如同给字画“穿衣服”。字画多在宣纸上作画或书写，而有些书画作品则用的是脆弱的竹料纸或者极薄的棉连纸，又或胶矾过大的熟纸、熟绢及其他笺纸类等，这些材料均不能自然长久保存，所以是需要及时装裱的，也就是给字画穿上衣服，否则字画被损坏的几率极高。

The traditional mounting technique is manual mounting, and the quality of the mounting technique determines the ornamental value and long-term preservation of a famous calligraphy and painting work. Mounting calligraphy and painting is like putting clothes on them. Calligraphy and painting are mostly painted or written on rice paper, while some calligraphy and painting works use fragile bamboo paper or extremely thin cotton paper, or cooked paper, silk, and other types of paper with too much glue and alum. These materials cannot be naturally preserved for a long time, so it is necessary to mount them in a timely manner, that is, to put clothes on the calligraphy and painting, otherwise the probability of damage to the calligraphy and painting is extremely high.

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