1.暂不装裱的书画片不可随便折叠摞起，否则存放时间一久就会从折叠处折断，或在折处留下黑色折痕，以装裱后影响美观。如果要临时欣赏，切不可用图钉钉于墙上或用浆糊粘于墙上，否则会直接损坏书画片。正确保存书画片的方法是：可将书画片下面衬一层幅面相当薄的宣纸或皮纸，以纸卷为轴将书画片卷起，并用白纸或塑料膜包装，放在画盒内或书橱内。

1. Books and paintings not to be mounted temporarily should not be folded and stacked at random, otherwise they will be broken from the fold after a long time of storage, or black creases will be left at the fold, which will affect the beauty after mounting. If you want to enjoy it temporarily, you can't nail it on the wall or paste it on the wall, otherwise it will damage the painting and calligraphy directly. The correct way to preserve the pictures and books is as follows: you can put a layer of rice paper or leather paper under the pictures, roll them up on the paper roll, pack them with white paper or plastic film, and put them in the painting box or bookcase.

2.书画装裱后更应妥善保存，存放的地方要考虑防潮、防蛀、防鼠、防霉烂、防玷污等。可将每件书画装入一个塑料袋或布袋，也可用白纸包好，存放时要平放，切勿竖置，更不要在书画上面放置重物使书画受压。如果有条件，可根据书画规格配制画盒，并在盒内放些樟脑和吸潮剂。

2. Calligraphy and painting should be properly preserved after mounting. The storage place should first consider moisture-proof, moth proof, rat proof, mildew proof, stain proof, etc. Each painting and calligraphy can be put into a plastic bag or cloth bag, or wrapped in white paper. When storing, it should be placed horizontally instead of vertically, and no heavy object should be placed on the top of the painting to make the painting and calligraphy pressed. If possible, the painting box can be prepared according to the specifications of calligraphy and painting, and some camphor and moisture absorption agent can be put in the box.

3.书画裱件存放时不宜卷得过紧或过松，更不可反卷。如果卷得过紧，天地头两侧就会留下画心与边料接缝的压痕，影响书画的美观，还可能导致裱件的变形或出现脱落;如果卷得过松，容易折毁书画;如果反卷，会使书画出现一道道折痕，特别是古旧书画损害更大。

3. The mounting of calligraphy and painting should not be rolled too tightly or too loose, and should not be rolled backwards. If it is rolled too tightly, there will be an indentation between the center of the painting and the edge material on both sides of the sky and the sky, which will affect the beauty of the painting and calligraphy, and may cause the deformation or falling off of the mounting parts. If it is rolled too loose, it is easy to damage the calligraphy and painting. If it is rolled backwards, the calligraphy and painting will have many creases, especially the ancient paintings and calligraphy.
                          

4.悬挂和展示书画时要谨慎从事。悬挂书画时要一手持画钗挑住画绳，一手托住书画未展开的部分，然后慢慢放开来将书画挂起，取下画钗。

4. Be careful when hanging and displaying calligraphy and painting. When hanging calligraphy and painting, one should hold the painting rope with one hand and hold the unfolded part of the painting with the other hand, and then slowly release it to hang the painting and calligraphy and take down the hairpin.

展示书画时要一人牵引画绳，另一人两手持轴头将书画展开，切忌两手向上持书画中间部分，否则5指会将书画划出折痕。对于无轴头的书画作品，展示时要用两指夹住，使画件从指缝中通过。此外，还应注意书画不宜长期悬挂，挂一段时期后要卷起收藏一段时间;对久存的书画要定期挂出来通风。

When displaying calligraphy and painting, one person should pull the painting rope, and the other person should hold the axle head in both hands to unfold the painting and calligraphy. Do not hold the middle part of the painting and calligraphy upward with both hands, otherwise the five fingers will mark the calligraphy and painting. For the paintings and calligraphy works without axle head, they should be clamped with two fingers to make the paintings pass through the fingers. In addition, it should also be noted that calligraphy and painting should not be hung for a long time. After hanging for a period of time, it should be rolled up for collection for a period of time; the paintings and calligraphy that have been stored for a long time should be hung up regularly for ventilation.

5.展示手卷、册页更要加倍注意，因手卷、册页的装裱较其他书画的装裱复杂。手卷在展示时要放置平整的案头或桌子上，注意案面或桌面不应有水点或脏物。手卷展开时不宜展得过长，要边展边卷。册页展开时不用手指翻，可用一个光滑而无毛刺的竹条插进册页夹页之间翻页。册页一般较厚，开始翻页或翻到后几页会出现两面薄厚不均，两页之间悬空，此时如果不注意压住幅面中间的悬空处，则易造成折断现象。

5. More attention should be paid to the display of scrolls and albums, because the mounting of them is more complicated than that of other paintings and calligraphy. The hand roll should be placed on a flat desk or table when displayed. It should be noted that there should be no water spots or dirt on the desk surface. The hand roll should not be too long when unfolding. It should be rolled while unfolding. When the album is unfolded, a smooth and burr free bamboo bar can be inserted between the albums to turn pages. The album is generally thick, and the thickness of both sides will be uneven at the beginning of page turning or turning to the next few pages, and the two pages are suspended. At this time, if you do not pay attention to the hanging position in the middle of the format, it is easy to cause fracture.

6.保管已经破损的古旧书画更要谨慎，一时不能修复的不要随意展示，以避免书画再度破损。如果是已破碎的书画则更要防止散片丢失，以免给将来修复带来困难。无论是新旧书画，只要原裱尚能悬挂，画心尚无破损，一般不要急于揭裱修复，因揭裱一次就会对书画的纸素损伤一次。如果原裱书画脱落或画心破损严重，则应及时进行揭裱修复。

6. Be more careful to keep the damaged ancient paintings and calligraphy, and do not display them at will if they can't be repaired for a while, so as to prevent them from being damaged again. If it is a broken painting and calligraphy, it is necessary to prevent the loss of scattered pieces, so as not to bring difficulties to the future repair. No matter old or new, as long as the original mounting can still be hung and the painting center has not been damaged, it is generally not urgent to remove the mounting for repair, because once removing the mounting will damage the paper element of the painting and calligraphy once. If the original mounting calligraphy and painting fall off or the painting center is seriously damaged, the mounting should be removed and repaired in time.